HOME
SEARCH
GALLERY
SVENSKA
ARTIST
FAQ
CONTACT
EMAIL

Oil Paintings Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.

Charles Wilson Peale
1741-1827 Charles Wilson Peale Galleries Finding that he had a talent for painting, especially portraitures, Peale studied for a time under John Hesselius and John Singleton Copley. Friends eventually raised enough money for him to travel to England to take instruction from Benjamin West. Peale studied with West for two years beginning in 1767, afterward returning to America and settling in Annapolis, Maryland. There, he taught painting to his younger brother, James Peale, who in time also became a noted artist. Peale's enthusiasm for the nascent national government brought him to the capital, Philadelphia, in 1776, where he painted portraits of American notables and visitors from overseas. His estate, which is on the campus of La Salle University in Philadelphia, can still be visited. He also raised troops for the War of Independence and eventually gained the rank of captain in the Pennsylvania militia by 1777, having participated in several battles. While in the field, he continued to paint, doing miniature portraits of various officers in the Continental Army. He produced enlarged versions of these in later years. He served in the Pennsylvania state assembly in 1779-1780, after which he returned to painting full-time. Peale painted in the trompe l'oeil style,[1] and was quite prolific as an artist. While he did portraits of scores of historic figures (such as John Hancock, Thomas Jefferson and Alexander Hamilton), he is probably best known for his portraits of George Washington. The first time Washington ever sat for a portrait was with Peale in 1772, and there would be six other sittings; using these seven as models, Peale produced altogether close to 60 portraits of Washington. In January 2005, a full length portrait of "Washington at Princeton" from 1779 sold for $21.3 million dollars - setting a record for the highest price paid for an American portrait. Peale had a great interest in natural history, and organized the first U.S. scientific expedition in 1801. These two major interests combined in his founding of what became the Philadelphia Museum, and was later renamed the Peale Museum. This museum is considered the first. It housed a diverse collection of botanical, biological, and archaeological specimens. Most notably, the museum contained a large variety of birds which Peale himself acquired, and it was the first to display North American mammoth bones. The display of the mammoth bones entered Peale into a long standing debate between Thomas Jefferson and Comte de Buffon. Buffon argued that Europe was superior to the Americas biologically, which was illustrated through the size of animals found there. Jefferson referenced the existence of these mammoths (which he believed still roamed northern regions of the continent) as evidence for a greater biodiversity in America. Peale's display of these bones drew attention from Europe, as did his method of re-assembling large skeletal specimens in three dimensions. The museum was among the first to adopt Linnaean taxonomy. This system drew a stark contrast between Peale's museum and his competitors who presented their artifacts as mysterious oddities of the natural world. The museum underwent several moves during its existence. At various times it was located in several prominent buildings including Independence Hall and the original home of the American Philosophical Association. The museum would eventually fail in large part because Peale was unsuccessful at obtaining government funding. After his death, the museum was sold to, and split up by, showmen P. T. Barnum and Moses Kimball.

 

 1 2    Next
 

 

 

Charles Wilson Peale The Staircase Group oil painting

Painting ID::  4259

X 
 

Charles Wilson Peale
The Staircase Group
1795 Philadelphia Museum of Art
   
   
     

 

 

Charles Wilson Peale Portrait of Gilbert Stuart oil painting

Painting ID::  4260

X 
 

Charles Wilson Peale
Portrait of Gilbert Stuart
1805 New York Historical Society
   
   
     

 

 

Charles Wilson Peale Portrait of Raphaelle Peale oil painting

Painting ID::  4261

X 
 

Charles Wilson Peale
Portrait of Raphaelle Peale
1822
   
   
     

 

 

Charles Wilson Peale Portrait of Walter Stewart oil painting

Painting ID::  4262

X 
 

Charles Wilson Peale
Portrait of Walter Stewart
1781
   
   
     

 

 

Charles Wilson Peale The Artist in his Museum oil painting

Painting ID::  4263

X 
 

Charles Wilson Peale
The Artist in his Museum
1822 Pennsylvania Academy of Fine Arts
   
   
     

 

 

Charles Wilson Peale Disinterment of the Mastodon oil painting

Painting ID::  4264

X 
 

Charles Wilson Peale
Disinterment of the Mastodon
1806-08
   
   
     

 

 

Charles Wilson Peale Landscape Looking Towards Sellers Hall from Mill Bank oil painting

Painting ID::  4265

X 
 

Charles Wilson Peale
Landscape Looking Towards Sellers Hall from Mill Bank
1818
   
   
     

 

 

Charles Wilson Peale Benjamin and Eleanor Ridgely Laming oil painting

Painting ID::  4266

X 
 

Charles Wilson Peale
Benjamin and Eleanor Ridgely Laming
1788 National Gallery of Art, Washington DC
   
   
     

 

 

Charles Wilson Peale The Peale Family oil painting

Painting ID::  4267

X 
 

Charles Wilson Peale
The Peale Family
1809 New York Historical Society
   
   
     

 

 

Charles Wilson Peale Der Kunstler in Seinem  Museum oil painting

Painting ID::  45210

X 
 

Charles Wilson Peale
Der Kunstler in Seinem Museum
mk181 1822 Philadephia
   
   
     

 

 

Charles Wilson Peale Die Ausgrabung eines Mastodon oil painting

Painting ID::  45243

X 
 

Charles Wilson Peale
Die Ausgrabung eines Mastodon
mk181 1806 Baltimore
   
   
     

 

 

Charles Wilson Peale The Staircase Group oil painting

Painting ID::  45290

X 
 

Charles Wilson Peale
The Staircase Group
mk181 1795 Philadelphia
   
   
     

 

 

Charles Wilson Peale Isabella und John Stewart oil painting

Painting ID::  45320

X 
 

Charles Wilson Peale
Isabella und John Stewart
mk181 um 1775 Ol aufLeinwand 94x124cm
   
   
     

 

 

Charles Wilson Peale Die Familie Edward Lloyd oil painting

Painting ID::  45321

X 
 

Charles Wilson Peale
Die Familie Edward Lloyd
mk181 1771 Ol auf Leinwand 121.9x146cm
   
   
     

 

 

Charles Wilson Peale Man oil painting

Painting ID::  50481

X 
 

Charles Wilson Peale
Man
mk212 200.8x147.1cm
   
   
     

 

 

Charles Wilson Peale Artist in the Museum oil painting

Painting ID::  50495

X 
 

Charles Wilson Peale
Artist in the Museum
mk212 1822 Oil on canvas 263.5x200.1cm
   
   
     

 

 

Charles Wilson Peale Georg Washington oil painting

Painting ID::  50507

X 
 

Charles Wilson Peale
Georg Washington
mk212 c.1780-82 Oil on canvas 127x101.6cn
   
   
     

 

 

Charles Wilson Peale Henry Knox by Peale oil painting

Painting ID::  73380

X 
 

Charles Wilson Peale
Henry Knox by Peale
Date ca. 1784 cyf
   
   
     

 

 

Charles Wilson Peale Adobe Church oil painting

Painting ID::  74096

X 
 

Charles Wilson Peale
Adobe Church
Adobe Church" by Cordelia Wilson, oil painting Date undated, ca. 1915-1920s cyf
   
   
     

 

 

Charles Wilson Peale Portrait of James Peale oil painting

Painting ID::  76133

X 
 

Charles Wilson Peale
Portrait of James Peale
Date 1822(1822) Medium painting cyf
   
   
     

 

  1  2     Next

 

Charles Wilson Peale
1741-1827 Charles Wilson Peale Galleries Finding that he had a talent for painting, especially portraitures, Peale studied for a time under John Hesselius and John Singleton Copley. Friends eventually raised enough money for him to travel to England to take instruction from Benjamin West. Peale studied with West for two years beginning in 1767, afterward returning to America and settling in Annapolis, Maryland. There, he taught painting to his younger brother, James Peale, who in time also became a noted artist. Peale's enthusiasm for the nascent national government brought him to the capital, Philadelphia, in 1776, where he painted portraits of American notables and visitors from overseas. His estate, which is on the campus of La Salle University in Philadelphia, can still be visited. He also raised troops for the War of Independence and eventually gained the rank of captain in the Pennsylvania militia by 1777, having participated in several battles. While in the field, he continued to paint, doing miniature portraits of various officers in the Continental Army. He produced enlarged versions of these in later years. He served in the Pennsylvania state assembly in 1779-1780, after which he returned to painting full-time. Peale painted in the trompe l'oeil style,[1] and was quite prolific as an artist. While he did portraits of scores of historic figures (such as John Hancock, Thomas Jefferson and Alexander Hamilton), he is probably best known for his portraits of George Washington. The first time Washington ever sat for a portrait was with Peale in 1772, and there would be six other sittings; using these seven as models, Peale produced altogether close to 60 portraits of Washington. In January 2005, a full length portrait of "Washington at Princeton" from 1779 sold for $21.3 million dollars - setting a record for the highest price paid for an American portrait. Peale had a great interest in natural history, and organized the first U.S. scientific expedition in 1801. These two major interests combined in his founding of what became the Philadelphia Museum, and was later renamed the Peale Museum. This museum is considered the first. It housed a diverse collection of botanical, biological, and archaeological specimens. Most notably, the museum contained a large variety of birds which Peale himself acquired, and it was the first to display North American mammoth bones. The display of the mammoth bones entered Peale into a long standing debate between Thomas Jefferson and Comte de Buffon. Buffon argued that Europe was superior to the Americas biologically, which was illustrated through the size of animals found there. Jefferson referenced the existence of these mammoths (which he believed still roamed northern regions of the continent) as evidence for a greater biodiversity in America. Peale's display of these bones drew attention from Europe, as did his method of re-assembling large skeletal specimens in three dimensions. The museum was among the first to adopt Linnaean taxonomy. This system drew a stark contrast between Peale's museum and his competitors who presented their artifacts as mysterious oddities of the natural world. The museum underwent several moves during its existence. At various times it was located in several prominent buildings including Independence Hall and the original home of the American Philosophical Association. The museum would eventually fail in large part because Peale was unsuccessful at obtaining government funding. After his death, the museum was sold to, and split up by, showmen P. T. Barnum and Moses Kimball.